MAIFF 2026  -

Red Star Alley

May 14th

5:00 PM

Cinéma du Musée

Animation

1

minutes

English

Content Warning:

About the Film

Director

Jenny Yujia Shi

Country

Canada

Year

2024

Program

Curated by

MAiFF Programming Team

Description

Synopsis | Red Star Alley is an experimental animated short that captures a disappearing way of life in Beijing. Using backlit cut-outs with delicacy and invention, the film brings the city’s alleyways to life through light, shadow, texture, and movement. As traces of an older Beijing begin to fade, Red Star Alley becomes an elegy for the places, rhythms, and communities that modernization leaves behind.

Programmer's note | A city disappears first in its smallest details, like a familiar alley, a shared doorway, or the rhythm of neighbours passing through the same narrow path. In Red Star Alley, the film turns these fragile, vanishing traces of Beijing into the shape of a world on the edge of fading. The film carries this sense of loss with its own tenderness, yet it does not remain in mourning. Its handmade textures hold memory with care, while its animation allows what is disappearing to move once more. Through this delicate play of illumination and silhouette, a changing city becomes both intimate and alive. In the end, it reminds us that the act of remembering is itself a form of endurance, even through transformation. Even as the city changes shape, the warmth of lived experience continues to glow through it.

About the Director
Jenny Yujia Shi
Director
Jenny Yujia Shi 施雨迦 is a Chinese Canadian visual artist and animation filmmaker based in Kjipuktuk. Growing up in a historic neighbourhood in the heart of Beijing, Shi was immersed in intergenerational teachings, childhood mischief, and folklore of ghosts and spirits until an urban development project flattened their neighbourhood, displacing local residents and connections. In 2009, Shi began a fourteen-year immigration process transitioning from an international student to a Canadian citizen. From the moment Shi passed through the Canada Border Services Agency (CBSA) processing center at Toronto Pearson Airport, their lived experience became subject to various conditions, permissions, and restrictions. These parameters regulated Shi’s movements and activities within the country, shaping the opportunities they could access to establish a livelihood. Along with work experiences in community-based arts programming and administration, Shi continues to document and understand the impact of displacement and dislocation on individuals across generations and within communities. Most recently, as part of their Masters of Fine Arts studies at NSCAD University, Shi is revisiting their personal immigration archive and childhood folklore to examine place, memory and agency in the context of border crossing and migration.
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